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A guide to timeless statues of Boboli Gardens

Boboli Gardens is a living museum of garden sculpture, boasting Roman antiquities, 16th, and 17th-century works. From majestic mythic figures to delicate Renaissance marvels, it brims with interesting stories sculpted in stone. Admire the works of master artisans like Giambologna, Ammannati, and Tacca, all beautifully displayed in this art-nature sanctuary. Come explore and discover the essence of each masterpiece in the heart of Boboli Gardens!

Tindaro Screpolato

Artist: Igor Mitoraj (Oederan 1944 - Paris 2014)
Year of construction: 1997
Material used: Bronze
Dimensions: 407 x 272 x 250 cm
Highlights:

  • You'll find this striking face near the Prato dei Castagni in Boboli Gardens. It's hard to miss!
  • Named after Tyndareus from Greek mythology, this piece reflects timeless human fragility and classical beauty.
  • Mitoraj's work brings ancient legends to life, creating a unique blend of history and modern artistry.
  • Fun fact: The artist donated this masterpiece to the Uffizi Galleries.

The Peasant and his Barrel

Artist: Giovanni di Paolo Fancelli (first decade of the 16th century – 1586) from a design by Baccio Bandinelli (Florence 1493 – Florence 1560)
Year of construction: 1554 - 57
Material used: Marble
Dimensions: 181 cm (height)
Highlights:

  • Commissioned by Eleonora da Toledo, this charming statue was designed by Bandinelli but sculpted by his talented pupil, Fancelli.
  • It shows a peasant pouring wine from a small cask—just imagine the everyday scenes from the 16th century!
  • Originally a part of the "Vivaio del Villano" fountain, it brings a slice of rustic life to the gardens.
  • Inspired by ancient Greek statues and Albrecht Dürer’s prints, it was recently restored and a copy now stands outside to protect the original.

Apollo

Artist: Baccio Bandinelli (Florence 1493 – Florence 1560) & the workshop
Year of construction: 1554 - 58
Material used: Marble
Dimensions: 181 cm (height)
Highlights:

  • Nestled in the left niche of the Buontalenti Grotto facade, Apollo stands proudly, paired with the statue of Ceres.
  • While these two statues weren't meant to be together, they make quite the duo now!
  • The statue was likely completed by Bandinelli’s assistant, Giovanni Fancelli, with a design reminiscent of Michelangelo’s David.
  • Giorgio Vasari placed Apollo here in 1560, turning an old plant nursery into the stunning Buontalenti Grotto.

Ceres

Artist: Baccio Bandinelli (Florence 1493 – Florence 1560) and workshop
Year of construction: 1548 - 58
Material used: Marble
Dimensions: 181 cm (height)
Highlights:

  • Meet Ceres, once destined to be Eve in Florence Cathedral's choir.
  • A mix of Bandinelli's and Fancelli's work, it's a fascinating blend of styles.
  • Originally meant for the Cathedral, it now graces the Buontalenti Grotto facade.
  • Ceres sits atop a tree branch, holding a snake—a symbol of earth's fertility.

Augustus

Artist: Roman artists
Year of construction: First quarter 1st century A.D. - Mid 2nd century A.D.
Material used: White marble with fine crystals
Dimensions: 210 cm (height)
Highlights:

  • Emperor Augustus, a relic from Cardinal Della Valle's collection, now adorns Boboli Gardens.
  • Purchased by Cardinal Ferdinando de' Medici in 1584, it's a piece of ancient Roman history.
  • Though weathered, Augustus still exudes regal grandeur, showcasing intricate details of his cuirass and belt.
  • Originally part of Villa Medici, it found its permanent home in Florence in 1789.

Barbarian Prisoner Base (called comatus)

Artist: Roman art
Year of construction: 240 - 260 A.D.
Material used: Luna marble
Dimensions: 187 x 95 cm
Highlights:

  • Learn about the history of this base, once part of a triumphal arch in ancient Rome.
  • Admire the detailed reliefs, depicting scenes of victory and imprisonment.
  • Side A showcases Victory, while Side B presents a Dioscuro, a symbol of battle victory.
  • Side C tells the story of a Roman soldier leading a barbarian prisoner—a glimpse into ancient warfare.

Dionysus with Herma

Artist: Roman artist
Year of construction: Second century A.D.
Material used: Microcrystalline, fine-grain marble, probably from Luni
Dimensions: Height with base 204 cm; height of herma 132 cm
Highlights:

  • This youthful god leans elegantly against a herma, accentuating his sinuous pose.
  • The statue's modern head was added later, giving it a unique blend of ancient and more recent artistry.
  • The herma's intricate cloak hints at Dionysus' mythical connection with Hermes.
  • Initially housed in the Gallery of Villa Medici in Rome, it found its home in Boboli Gardens in the late 18th century.

Bathing Venus

Artist: Giambologna (Douai 1529 - Florence 1608)
Year of construction: 1572-1584
Material used: Marble
Dimensions: Height 140 cm
Highlights:

  • Admire Venus' graceful pose, designed to be viewed from every angle, highlighting Giambologna's mastery of the serpentine figure.
  • Originally mentioned by Raffaello Borghini and Filippo Baldinucci, the statue was crafted in the early 1570s and later added to the Buontalenti Grotto.
  • The fountain base, added in 1593, is adorned with African green marble and "Portasanta" red marble, adding to the grotto's naturalistic charm.

Helen and Theseus

Artist: Vincenzo de' Rossi (Fiesole, 1525 - Florence, 1587)
Year of construction: 1558 - 1560
Material used: White marble
Dimensions: 182 cm (height)
Highlights:

  • This statue, crafted by de' Rossi, depicts the dramatic abduction of Helen by Theseus, a key figure in Greek mythology.
  • You can find it in the second room of the Buontalenti Grotto.
  • The statue features a band on Theseus' chest with the inscription “VINCENTIVS DE RVBEIS CIVIS FLOREN. OPVS.”
  • It's fascinating to see the sow Phaia at Theseus' feet, adding a touch of mythological detail.
  • Originally admired by Cosimo I de' Medici, it showcases de' Rossi's mastery in carving a single block of marble.

Gioco del Saccomazzone

Artists: Romolo Ferrucci known as Romolo del Tadda (Fiesole 1544 - Florence,1621); Orazio Mochi (Florence 1571 - 1625)
Year of construction: 1620
Material used: Serena stone
Dimensions: 158 cm (height)
Highlights:

  • Commissioned by Cosimo II in 1620, this playful statue depicts a lively Tuscan game similar to "blind man's buff."
  • Located along Cypress Lane, it captures a rustic, rural scene that fits perfectly with the garden's bucolic charm.
  • The statue shows two blindfolded contenders, with one attempting to hit the other with a knotted cloth.
  • Originally sketched by Orazio Mochi and brought to life in stone by Romolo del Tadda.
  • It's fun to imagine the spirited game that inspired this sculpture, adding a touch of local culture to the gardens.

Gioco della Pentolaccia

Artist: Giovanni Battista Capezzuoli (Florence? documented 1755-1800)
Year of construction: 1778-1780
Material used: Marble
Dimensions: 143 cm (height)
Highlights:

  • Commissioned by Pietro Leopoldo between 1778 and 1780, this statue captures the playful spirit of the Boboli Gardens.
  • Located along Cypress Lane, it’s the perfect counterpart to Gioco del Saccomazzone.
  • The statue depicts a blindfolded young man attempting to hit an earthenware pot, while his amused companion watches.
  • Capezzuoli chose to immortalize the moment of a missed shot, bringing a touch of humor and lightheartedness.
  • With its almost Rococo flair, the statue showcases intricate details like open shirts, rumpled jackets, and expressive faces.
  • Inspired by late Hellenistic sculpture and the pastoral scenes of artists like Fragonard and Boucher, it adds a whimsical charm to the garden's collection.

Historical evolution of statues at Boboli Gardens

  • 16th century, the early period: The Medici family kickstarted Boboli Gardens' statue collection. Artists like Baccio Bandinelli and Giovanni di Paolo Fancelli crafted statues inspired by ancient tales. These artworks were carefully placed along pathways and in cozy nooks.
  • 17the century, the expansion and diversification: In the 17th century, Boboli Gardens got a statue makeover! Artists like Romolo Ferrucci and Orazio Mochi added fun sculptures showing everyday life and countryside scenes. It brought a whole new vibe to the garden, full of charm and playfulness.
  • 18th century, the neoclassical influence: There was a resurgence of interest in classical art and architecture. Some older statues were restored, while new acquisitions followed Neoclassical design principles, emphasizing symmetry, proportion, and idealized forms. Sculptures became integral to the garden layout, forming focal points and enhancing the overall aesthetic.
  • 19th-century, the romantic revival: The Romantic era influenced garden design and sculpture placement. Statues were placed amidst lush greenery and naturalistic settings. These statues weren't just pretty; they tugged at heartstrings, reflecting romantic feelings of love and freedom. It was all about emotions and individuality, making strolls through the gardens truly magical!
  • Modern era: In the 20th century and beyond, preserving history became a big deal! We added some modern sculptures to keep up with the times and spiced things up. Plus, we got fancy with educational programs and signs to spill the beans on the statues' cool stories.

Tips to exploring the Boboli Gardens statues

  • With over 200 statues scattered throughout the gardens, don't rush. Take your time to appreciate each sculpture and its surroundings.
  • Boboli Gardens can look drastically different throughout the year. Consider visiting in different seasons to see how the statues and surrounding foliage change with the seasons.
  • While the main pathways offer plenty to see, don't hesitate to wander off and explore the hidden corners of the gardens. You might stumble upon lesser-known statues waiting to be discovered.
  • Some statues are placed in elevated positions or tucked away in alcoves. Binoculars can help you get a closer look and appreciate the intricate details.
  • To avoid crowds and harsh midday sun, consider visiting the gardens early in the morning or later in the afternoon. You'll have a more peaceful experience and better lighting for photos.
  • Take advantage of guided tours or audio guides to learn about the history and stories behind the statues. Understanding the context can enrich your experience and deepen your appreciation.
  • Remember that Boboli Gardens is not just an outdoor museum but also a living garden. Be mindful of plants, pathways, and other visitors while exploring the statues.
  • The gardens are vast, and you'll likely spend a few hours exploring. Bring along snacks and water to stay hydrated and energized during your visit.
  • Rest on benches and savor the serene atmosphere. Take breaks to relax and soak in the beauty of the gardens amidst the sculptures.



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Frequently asked questions about Boboli Gardens statues

How extensive is the statues collection at Boboli Gardens?

The Boboli Gardens statues collection boasts a wide range of statues, showcasing various styles and historical periods.

Which famous sculptures are part of the Boboli Gardens collection?

Notable sculptures include Apollo, Ceres, Bathing Venus, and the Dionysus with Herma.

How long does it typically take to explore the entire statues collection at Boboli Gardens?

Most visitors spend around 2-3 hours exploring the diverse and captivating collection at the Boboli Gardens.

Are there different types of statues in the Boboli Gardens collection, representing various styles or eras?

Yes, the collection includes a variety of statues spanning from classical to Renaissance periods.

What are some of the must-see artworks that visitors should not miss within the statues collection?

The must-see pieces include Apollo, Ceres, Bathing Venus, and the intriguing Dionysus with Herma.

Who are the notable artists behind the creation of these statues in Boboli Gardens?

Renowned artists such as Baccio Bandinelli, Giambologna, and Vincenzo de' Rossi contributed to the collection.

Are there guided tours available to provide insights into the history and significance of the statues?

Yes, guided tours offer in-depth information about the statues' history and the artists behind them.

Can visitors interact with or touch the statues in any way?

For preservation reasons, visitors are kindly asked not to touch the statues.

Are the statue areas wheelchair and stroller-friendly for visitors with mobility challenges?

Yes, the statue areas are accessible and accommodating for visitors with mobility challenges.

Is photography allowed within the Boboli Gardens statue collection?

Yes, photography is usually permitted, but it's recommended to confirm the rules upon entry.